Showing posts with label Bert Lahr. Show all posts
Showing posts with label Bert Lahr. Show all posts

Hollywood and Beer - Vintage Blatz Beer Ads


In honor of the 16 day German beer celebration known as Oktoberfest, which kicks off today, here is a post combining two of my favorite things: classic Hollywood and beer.

During the 1940s and 1950s the Blatz beer company out of Milwaukee, Wisconsin hired the help of many well known Wisconsinites to market their product, including Hollywood stars, famous athletes and pop culture celebrities. The ads all included a line like "I lived in Milwaukee, I ought to know..." or in some cases, "I've been to Milwaukee..." Here are a few of the those ads featuring some of the Hollywood star power.

Click images to see larger.


Fred MacMurray

Actor Fred MacMurray had a diverse career that started in romantic comedies then moved into noirs, westerns and later family fare like Disney's The Shaggy Dog (1959) and the television show My Three Sons. My personal favorite roles include his parts in the noirs Double Indemnity (1944) and Pushover (1954). MacMurray grew up in the small Wisconsin town of Beaver Dam, a place that always remained dear to his heart. He would return to the town to visit with friends and enjoy the Wisconsin outdoors. He also would mention his hometown frequently any chance he got, including in the one film he produced, Pardon My Past (1945), where the story centered on two GIs returning to Beaver Dam to start a mink farm. MacMurray also attended Carroll College (now Carroll University) in Waukesha, Wisconsin, about 18 miles from Milwaukee (a year after MacMurray, another future film star, Dennis Morgan, enrolled at Carroll). During his college years MacMurray played saxophone in college bands and in nightclubs. He also met a lifelong friend, another musician by the name of Les Paul, who went on to create one of the first electric guitars. MacMurray probably travelled to nearby Milwaukee a few times to play in the clubs there and I wouldn't doubt if he occasionally kicked back a Blatz.

Pat O'Brien

Classic Hollywood's favorite Irishman, Pat O'Brien, is a true Milwaukeean. O'Brien grew up in the same neighborhood as his good friend Spencer Tracy. Both men attended the Marquette Academy. Later when O'Brien made his way to Hollywood, he would often find himself paired with James Cagney. O'Brien and Cagney became good friends and were part of a group that was labeled "Hollywood's Irish Mafia." The two men appeared in nine films together, including Ceiling Zero (1936), Angels With Dirty Faces (1938), Boy Meets Girl (1938). My favorite O'Brien role is the The Great O'Malley (1937), a simple and sentimental story which also features a young Humphrey Bogart and Ann Sheridan. Although O'Brien's drink of choice was Cutty Sark, a Scotch Whisky, I'm sure O'Brien was no stranger to Blatz beer.

Dan Duryea

Dan Duryea is one of my favorite character actors. He made sleazy or horrible characters seem so enjoyable to watch, like Slim Dundee in Criss Cross (1949) or his Johnny Prince in Scarlet Street (1945). Although in the ad Duryea claims to be from Milwaukee, the actor was born in White Plains, New York. I'm not sure at what point in Duryea's life he was from Milwaukee. One thing that is interesting is that Duryea appears in several different Blatz ads.


Pamela Britton

Actress Pamela Britton was born in Milwaukee. She can be seen as Frank Sinatra's girlfriend in Anchors Aweigh (1945), as Paula Gibson in the classic noir D.O.A. (1950) and in the Clark Gable/Loretta Young headliner Key to the City (1950). In one of the scenes in her ad it says that, "Pamela Britton, unknown to many of her fans, is an accomplished equestrienne. But, Pam, as friends call her, is widely known as a gracious hostess. When Pamela entertains she always has plenty of Blatz Beer on hand!"

Bert Lahr

Who doesn't have a soft spot for Bert Lahr? He was so memorable as the Cowardly Lion in the MGM film, The Wizard of Oz (1939). One of Lahr's few starring roles in Hollywood was the film Flying High (1931). Lahr wasn't from Milwaukee and so in this ad it mentions that Lahr has "been to Milwaukee" - probably on one of his early vaudeville tours.


Alfred Lunt

Alfred Lunt was a Broadway star, not really a film star, but so many classic film stars wanted or were his friend, so I've included him here. Along with his wife and acting partner Lynn Fontanne, the two were the toast of Broadway from the 1920s-1950s. Hollywood regularly tried to get them to leave the stage for the screen, but as Fontanne famously said, "We can be bought, but we can't be bored." As stage actors who enjoyed the thrill of a live audience, Lunt and Fontanne found filmmaking boring and tedious. Alfred Lunt grew up in the Milwaukee area and even after he made it big in New York he kept his main home, the estate known as "Ten Chimneys," in the rural community of Genesee Depot, not far from Milwaukee. The Ten Chimneys estate is now open for tours and if you're ever in the Milwaukee area I highly recommend visiting. I went for the first time last year and really enjoyed the experience. 

Brian Donlevy

Brian Donlevy for a few years grew up in the Sheboygan Falls area of Wisconsin although I'm not sure how often he got back to the state. Some of his popular film roles include parts in Destry Rides Again (1939), In Old Chicago (1937) and Kiss of Death (1947). I really like Donlevy's part in the underrated noir, Impact (1949), shot on location in Northern California.

Charles Winninger

Charles Winninger was born into a show business family in the small Wisconsin town of Athens. His family was involved in vaudeville and at an early age Winninger would be pulled into the act. After finding success on the stage Winninger would find work in films, including Nothing Sacred (1937) alongside fellow Wisconsinite Fredric March, The Sun Shines Bright (1953),  and Destry Rides Again (1939) with fellow Wisconsinites Donlevy and Jack Carson .

Don Ameche

Don Ameche grew up in Kenosha, Wisconsin, about 40 miles south of Milwaukee. Kenosha was also the hometown of another famous classic Hollywood star, Orson Welles. Ameche also lived in Madison while attending the University of Wisconsin for law school.  In Madison, Ameche got involved in acting. He performed at the Garrick Theater, the same stage where actor Ralph Bellamy did some early acting. Ameche also acted with the Wisconsin Players in a production where the scenery was created by future Hollywood actor Tom Ewell (The Seven Year Itch (1955)). Ameche would go on to star in such films as Midnight (1939), The Story of Alexander Graham Bell (1939), and Down Argentine Way (1940). Late in life he had a career renaissance, starring in hits like Trading Places (1983) and Cocoon (1985).

Duffy's Tavern

The above ad is for the popular radio show Duffy's Tavern which ran for a decade on various networks at different times during the 1940s and into the 1950s. On the show, Ed Gardner played the lead character, Archie the bartender. Many Hollywood celebrities appeared on the show as guests including Bob Hope, Alan Ladd, Billie Burke, Gene Tierney, Fred Allen, Peter Lorre and Veronica Lake. Blatz Beer was the beer featured on the show. The radio show also spawned a less successful TV series and even a feature film.

George Sanders

George Sanders was always perfect as a villain or cad. His deep voice and sophisticated accent made him a natural for those parts including roles in All About Eve (1950), Witness to Murder (1954), and the voice of Shere Khan in Disney's The Jungle Book (1967). In the above ad Sanders boasts that he has been to Milwaukee.

Groucho Marx

Groucho needs no explanation. What does need an explanation is what the heck Groucho was doing in Milwaukee?

John Payne

John Payne, the star of Kansas City Confidential (1952), Miracle on 34th Street (1947),  and The Restless Gun (1957) was a Blatz man. According to Payne, "Blatz really is Milwaukee's finest beer!" Ok, I wouldn't go that far John.

Liberace

Even razzle dazzle piano player, Liberace, who was born in West Allis, Wisconsin and did live in Milwaukee for a time, adds a bit of sophistication to Blatz Beer. Liberace, in addition to music, appeared in films and on television. Liberace can be seen in the films Sincerely Yours (1955), as a casket salesman in the film The Loved One (1966) and When the Boys Meet the Girls (1965) starring Connie Francis.

Osa Johnson

Osa Johnson along with her husband Martin were adventurers and documentary filmmakers. The pair would go on safaris and visit exotic locations and capture it on film. In 1953, Osa was part of television's first wildlife series, Osa Johnson's The Big Game Hunt. There is no better way to end a day in the bush than with a bottle of Blatz.

Sid Caesar

Funny man Sid Caesar has apparently been to Milwaukee, so he "ought to know...Blatz is Milwaukee's Finest Beer!"

Uta Hagen

Uta Hagen was born in Germany but raised in Madison, Wisconsin. She acted in the Wisconsin Players and then went on to bigger stages in New York, even appearing in a production of The Seagull alongside Alfred Lunt and Lynn Fontanne. She won a couple Tony awards, one for her performance in The Country Girl in 1951 and again in 1963 for originating the role of Martha in Edward Albee's Who's Afraid of Virginia Woolf? Hagen did appear in films but her film career was limited as she was part of the Hollywood blacklist. She taught acting to several film stars, including Jack Lemmon, Al Pacino, and Sigourney Weaver. She was even a voice coach to Judy Garland, teaching Garland a German accent for the film Judgement at Nuremberg.

Victor McLaglen

Apparently British born actor Victor McLaglen even lived in Milwaukee at one time. In the ad, McLaglen is quoted as saying, "When I lived in Milwaukee, old-timers told me that Blatz was Milwaukee's finest beer. I tried it, and agreed." In the next caption he says, "Out here, in California, Blatz is still my favorite beer. And I always see that there's plenty in the refrigerator." Mclaglen won an Academy Award for his performance in The Informer (1935) and was nominated for Best Supporting Actor for his performance in the The Quiet Man (1952).

William Gargan

William Gargan was a character actor who was regularly cast as priests detectives, policemen and reporters. Some of his credits include The Bells of St. Mary's (1945),  Cheers for Miss Bishop (1941 and You Only Live Once (1937). In the ad it says, "The 'private eye' in private life, is an avid fisherman. Here in the Milwaukee home of Dick Geeiner, he discusses the best equipment for fishing Wisconsin's fine lakes. Both agree, Blatz Beer is a prime essential for real fishing pleasure." I won't argue with that.

Happy Oktoberfest! Now excuse me while I go drink some beer.

Flying High (1931) - Film Locations

Flying High (1931)

What you will find in the 1931 film, Flying High, are hypnotic Busby Berkley musical numbers, plenty of gags, and the screen debut of Bert Lahr, eight years before his famous role as the Cowardly Lion in The Wizard of Oz. Anyone who is a fan of Lahr's expressive clowning will enjoy seeing his over-the-top performance as a neurotic inventor. It's even interesting to see in a small role, Hedda Hopper as an actress, before she would go on to be the Queen Bee of Hollywood gossip. However, what you won't find is a plausible, well written storyline, but that shouldn't be a deterrent from seeing some of the charming features this film does have to offer. The film is currently available through the Warner Archive Collection.

The film stars Charlotte Greenwood as Pansy Potts, a single woman desperate to find herself a husband and have kids. Pansy offers $500 for a husband. Businessman and swindler Sport Wardell, played by the fast talking Pat O'Brien, promises Pansy a husband in exchange for the $500. Pansy excepts Wardell's offer after he shows her a photo of the eligible bachelor - a photo of Clark Gable! Instead, the man Wardell has found for Pansy is broke inventor, Rusty Krouse, played by Bert Lahr, who of course is no Clark Gable. Nevertheless, Pansy pursues her man and Rusty amusingly tries to get away.

While watching the film I came to a scene where Pat O'Brien is standing with a group of pilots outside of what is supposed to be an aviation school. Immediately, I thought, "I've seen this building before." I then realized it was because I saw a picture of the building in the new book, M-G-M: Hollywood's Greatest Backlot. This amazing photo filled book includes images of every area of the former MGM studio and is organized in such a way, that as a reader, it feels like one is getting an intimate tour of the studio during the glory days. This book is a must-have for any classic movie lover. To learn more about the book and read an interview with Steven Bingen, one of the authors, click here. To visit the official site of M-G-M: Hollywood's Greatest Backlot click here.

Pat O'Brien in front of MGM's "English House" set.

Above is a screenshot of Pat O'Brien in front of the aviation school. This building, according to M-G-M: Hollywood's Greatest Backlot, is the "English Home" set. Other films that have used this building include David Copperfield (1935), The Canterville Ghost (1944) and Please Don't Eat the Daisies (1960).

Pat O'Brien in front of MGM's "English House"

Bert Lahr approaches the "English House."

Pat O'Brien and Bert Lahr on the English House set.

The English Home set is behind Lahr and O'Brien.

Greenwood chases Lahr around the English House set.

Later in the film all the characters find themselves at a small airport for an aviation show. My first instinct was that this airport was either the former Grand Central Airport in Glendale, California or the Western Air College Airport in Alhambra, California. As it turns out, the location is the Alhambra Airport. The first photo below is a screenshot from the film and the following photo is an image of the front side of the Alhambra Airport from the USC Digital Archives. If you look closely at the two images you will notice the same detailing above the windows on the control tower.

Alhambra Airport as seen in the film Flying High

Alhambra Airport - Credit: USC Digital Archives

Lahr recklessly driving his "aerocopter" at Alhambra Airport.

Greenwood on the runway at Alhambra Airport.

Spectators run from Lahr in his aerocopter.

Hedda Hopper at Alhambra Airport in Flying High

Aerial View of Alhambra Airport in the film Flying High

Aerial View of former site of Alhambra Airport
(c) Google 2011

There is nothing left of the Alhambra Airport so watching Flying High is a great way to time travel to the past and visit this location. In the Google Earth aerial view above you can see the former site of the airfield. The Alhambra Airport would have been located in the area between Valley Boulevard to the North, Hellman Avenue to the South, Garfield Avenue on the West and Del Mar Avenue on the East. Today the site is the location of a shopping center, high school and residential area.

Greenwood and Hopper look on at Lahr who 
just made a crash landing.

There is an interesting story to how O'Brien got the part in Flying High. O'Brien had just completed work on the film Consolation Marriage, which also starred screen legend Irene Dunne. After the Hollywood premiere of Consolation Marriage, O'Brien learned that Howard Hughes was dropping his contract. Feeling defeated, O'Brien told his wife Eloise the news and said to pack her things - they were going back to New York. Eloise told O'Brien that he should talk things over first with his agents, Myron Selznick and Frank Coleman Joyce.

According to O'Brien in his autobiography, The Wind at My Back, he went to visit Selznick at his office. When he got there Selznick, who was hungover, looked up from his desk and said, "It looks like you are going to start paying commission to me, kid."

"I hope so," replied O'Brien.

Selznick explained to O'Brien that Joyce was going to take him over to MGM to meet with Irving Thalberg about a part in the film, Flying High, that Bert Lahr was going to be the star in what was to be his film debut and O'Brien was up for the second lead. O'Brien got in Joyce's Rolls-Royce and on the way there Joyce said, "Now, no matter what happens during the Thalberg interview, don't open your mick trap. I'll handle everything. I may drop a couple of bombs, but just stand pat! No pun."

When the two arrived at MGM O'Brien and Joyce were immediately ushered into Thalberg's office. There was no waiting for them. Thalberg told Joyce that MGM was definitely interested in O'Brien for the part and wanted to know his asking price. "Seventeen-fifty a week with a three-week guarantee," exclaimed Joyce. Thalberg was blown away at this asking price as he new O'Brien was only making seven-fifty per week under Hughes. 

O'Brien was shocked too that Joyce had asked Thalberg for so much and began to get nervous, but like Joyce instructed, he didn't say anything. When Joyce and O'Brien got up to leave Thalberg's office, O'Brien felt sad. He thought this would be the end of his Hollywood career and he would end up having to go back to New York for sure.

Before they made it to the door, MGM executive Eddie Mannix told O'Brien, "You're out of your mind, my boy. Passing up a chance like this to work for the biggest studio in the business - and Irving Thalberg. We will give you twelve-fifty a week."

O'Brien told Mannix to talk to his agent, but Joyce said, "Why waste time? Jack Warner is waiting for us. The food's better there, too."

In the end, Pat O'Brien go his $1750 per week, with the three-week guarantee. The film went over to eleven weeks.

Your thoughts?