Showing posts with label Cary Grant. Show all posts
Showing posts with label Cary Grant. Show all posts

Katharine Hepburn's Hiking Spot

 Hepburn hiking country road during break from filming in London.

Katharine Hepburn was always athletic. At an early age, while growing up in Hartford, Connecticut, Hepburn's father, a doctor, encouraged his kids to swim, play tennis, ride horses and golf. Swimming was an activity that Hepburn was particularly fond of and she would continue to swim regularly even into her 80s. Another activity that Hepburn enjoyed doing for exercise was hiking and during her time living in Los Angeles, one of her favorite hiking spots was by the Franklin Canyon Reservoir.

 Franklin Canyon Lake at Franklin Canyon Reservoir. Source.

Located just below Mulholland Drive, west of Coldwater Canyon and near Beverly Hills and Studio City, Franklin Canyon Reservoir feels like an escape from the city. No wonder why Hepburn, someone who enjoyed her privacy, liked hiking this spot. Without ever having visited the canyon, you may recognize the location from numerous appearances on film and television. Shows like Bonanza, The Waltons, Lassie, Murder She Wrote and Combat have filmed scenes here. During the opening credits of each episode of The Andy Griffith Show one can see Griffith and little Ron Howard walking around the 3-acre lake. The films It Happened One Night (1934), The Lady Escapes (1937), I Met My Love Again (1938) and even the Hepburn film On Golden Pond (1981) have filmed scenes at Franklin Canyon Reservoir.

The Andy Griffith Show filmed at Franklin Canyon Reservoir. Source.

During Hepburn's years with Spencer Tracy, she would urge him to join her for walks around Franklin Canyon Reservoir. In early 1964, a few months after Tracy had started to recover from a major health scare, Hepburn purchased a police dog named Lobo to encourage Tracy to go on walks at the reservoir.

 Spencer Tracy, Ruth Gordon, Garson Kanin, Katharine Hepburn

Hepburn's friend, the writer Garson Kanin, in his memoir on Hepburn and Tracy recounts a story in which Hepburn played hero in the rescue of a kidnapped boy during one of her hikes at the reservoir. In 1969, the teenage son of Dr. Simon Ramo, a wealthy aerospace executive living in Beverly Hills, was kidnapped. During Hepburn's hike she heard some yelling. She was then approached by a police officer who had been called out by the reservoir keeper. Kate pointed the officer in the direction of the keeper's house and later the boy was recovered unharmed. One can imagine that Hepburn's involvement was probably played up for dramatic effect.

On a side note, during the early 1960s Hepburn's frequent co-star, Cary Grant, participated in supervised medical LSD experiments. Grant was a proponent of LSD "therapy" and claimed that it helped to control his drinking and to come to terms with unresolved conflicts he had about his parents. While praising the benefits of LSD Grant mentioned, "Just a few healthy magnums of LSD in the Beverly Hills reservoir..." So while Hepburn hiked the reservoir Grant found relaxation in the reservoir in his own way.

Address for the trailhead: Lake Drive & Franklin Canyon Drive, Franklin Canyon Park, CA 90210

This post is part of The Great Katharine Hepburn Blogathon hosted by blogger Margaret Perry.


Cary Grant Walks His Siamese Cat

Cary Grant with his Siamese Cat. Beverly Hills 1955.

Film scholar and writer Farran Nehme, a.k.a. the "Self-Styled Siren," posted the above picture taken in 1955 of Cary Grant walking his Siamese cat through Beverly Hills to her Twitter page. I couldn't resist looking up this corner of Beverly Hills to see if the location has changed. Below is a Google Street View screenshot showing the same corner. 

Click image to enlarge.

Southeast corner of Charleville Blvd and Swall Dr. Beverly Hills.
 (c) Google 2014

The location is the southeast corner of Charleville Blvd and Swall Dr in a residential part of Beverly Hills just a couple blocks from the high-end retailers and medical offices on Wilshire Boulevard. Unfortunately, the house that Grant passes now appears to be blocked by tall bushes, however, you can see part of the roof and the small chimney in the back.

The Colonial House - A Classic Hollywood Apartment

The Colonial House. Photo: TopLACondos.com

Built in 1930 and designed by noted Los Angeles architect Leland Bryant (Harper House, Savoy Plaza, Sunset Tower), the Colonial House has long been a home to celebrities. According to The Movieland Directory, some early Hollywood residents have included Clark Gable, Carol Lombard, Myrna Loy, Eddie Cantor, William Powell, and Norma Talmadge. Cary Grant, Bette Davis and Joan Blondell have also called the place home. Earlier this year even pop singer Katie Perry purchased a place in the Colonial House, continuing the building's legacy for being a home for stars.

Listed in the National Register of Historic Places, the property features wrought-iron fixtures, gardens, a swimming pool, library, arched doorways, custom built-in cabinetry, wood-paneled elevators, a terrace and includes views of the mountains and Hollywood. The elegant Colonial House is conveniently located near the nightclubs on the Sunset Strip, is just a short drive to the premium shopping in Beverly Hills, and central to the many movie studios in the area. It's no wonder why so many stars have chosen the Colonial House as their home. 

No doubt a place like the Colonial House must have many great stories.  A couple stories I'm familiar with involve actresses Joan Blondell and Bette Davis.

Joan Blondell & Bette Davis. Colonial House residents.

In 1960, Joan Blondell, who was 54 at the time, left her Sutton Place apartment in New York City and moved back to California, finding an apartment in the seven-story Colonial House. Most of her family were in California, including her grandkids and many of her close friends. One of her longtime friends, former neighbor Frances Marion already lived in the Colonial House and the two would reunite their close friendship. Joan and Frances would catch up every afternoon at five over cocktails with some of the other female tenants which included newspaper columnist Jill Jackson, publicist Maggie Ettinger, and stockbroker Flora Marks. 

Entrance to the Colonial House. TopLACondos.com

Not long after Joan moved in she found herself busy with work on television, first as a rich widow on an episode of The Untouchables and then as a psychopath on the Barbara Stanwyck Show - both filmed at Desilu Studios in Culver CityJoan was also still working in movies too and when she would have to go out of town for location filming, her neighbor Jill Jackson would feed and walk her dogs, Bridey and Fresh. In his biography, Joan Blondell: A Life Between Takes, author Matthew Kennedy retells this story told by Jackson:
"Her life was those two ugly dogs!" said Jackson. To her consternation, "those damn dogs" only agreed to evacuate their bowels on the lawn of the nearby Christian Science church.

Bette Davis's former Colonial House living room as it appeared in 2009 when the unit was up for sale. (Gordon Thompson)

Bette Davis had many places around Los Angeles she called home at different points in her life. The Colonial House would be the last home she would live in. In the late 70s, according to the Roy Moseley memoir Bette Davis, the actor Roddy McDowall helped find her a place in Colonial House. Davis liked the apartment because it overlooked the La Ronda apartment house, where Bette and her mother first stayed when they arrived in California from New York. Bette wasn't a movie star then, but just a young woman ready for her big break.

Bette's apartment was on the fourth-floor and had large spacious rooms with twelve-foot high ceilings. She decorated the place with framed pictures nailed to the walls and with art books and family photographs on the tables. On the floor, on each side of a lattice doorway that led to the dining room, Bette placed her two Oscars which she won for Best Actress: one for Dangerous (1935) and another for Jezebel (1938).



Moseley, who was very close to Bette in her later years, shares this story of one of his visits to Bette at the Colonial House:
"From her balcony you could see down to the swimming pool below. One day, Bette was leaning on the rail looking over at a corpulent man and his attractive family as they all swam and sunbathed. 'Look at that,' Bette shouted to me, loud enough for her voice to carry clearly down to the ground. 'Look at that disgusting man. It's revolting that a nice young girl and her children should have to be with such a fat, disgusting man.' I hoped they could not hear and tried to stop her, but she pretended not to understand what I was talking about."
Yikes! I picture dialogue like that coming out of Bette's character Jane Hudson, from the film Whatever Happened to Baby Jane? (1962). Much like Joan, Moseley mentions that Bette also enjoyed a good cocktail hour. Perhaps her tongue was loosened by liquor.

Pool area. TopLACondos.com

The Colonial House, like Leland Bryant's other West Hollywood apartment building, the Harper House, has also appeared on screen as a filming location. In the Broderick Crawford crime film, Down Three Dark Streets (1954), the Colonial House appears in a scene where Crawford and his FBI partner go to interview one of the residents as part of a crime investigation.

Broderick Crawford in the film Down Three Dark Streets (1954).

If you're now interested in moving into the Colonial House, you're in luck! There is a one bedroom unit on the first floor that is available for $1,275,000. For more information and photos on this unit visit the real estate listing here.

Ain't No Party Like An Old Hollywood Party...

Entrance to Buster Keaton Estate

Mark your calendars. On Saturday, October 6, 2012, the Los Angeles Conservancy is having a benefit dinner party that is being held at the Buster Keaton Estate in Beverly Hills. This your chance to support a great cause and explore the home of a Hollywood legend - and not just one Hollywood legend.

Media Room

The Los Angeles Conservancy website says this about the home:
"Buster Keaton built the 10,000 square-foot home shortly after completing his masterpiece, The General (1926). Yet the estate's Hollywood pedigree doesn't stop there: it was later the home to other stars, including Marlene Dietrich, Cary Grant, and James Mason. By the mid-1990s, the estate had fallen into disrepair. It was purchased by a pair of preservation-minded buyers who immediately undertook a major restoration."

The Entry

Just think of all the guests who have passed through the above entrance way. If only walls could talk - the stories they would be able to tell!

Billiard Room

If you would like to attend, tickets don't come cheap. Individual tickets begin at $300 each and go up to $10,000! But hey, if you got that kind of dough why not put it to good use. Space for dinner is limited. Attire is cocktail or 1920s vintage.

For full details and to purchase tickets visit the Los Angeles Conservancy website.

All photos (c) 2012 LAFIA ARVIN, A DESIGN CORPORATION. To view more photos of the Keaton Estate, including photos before the restoration as well as after the restoration, visit their website here.

Kiss Them For Me (1957) - Film Locations


The film Kiss Them For Me (1957) is a bit of a mixed bag. Although this comedy directed by Stanley Donen is weak on plot and doesn't deliver many big laughs there are still quite a few things that make this film worth watching including Cary Grant, some nice San Francisco filming locations, Ray Walston in his first film role (you know, "Mr. Hand" from Fast Times at Ridgemont High!), bombshell Jayne Mansfield, and some of the fashions.

The film is about three Navy pilots, all war heroes, who are on leave in San Francisco for four days. They are put up in a posh suite in a fine hotel and Commander Andy Crewson (Grant) plans to fill the suite with girls, booze and music. Meanwhile Lieutenant Wallace is trying to get the pilots to make speeches that will rally the homefront for the war effort but after several months in combat all the pilots want to do is have some fun - not give speeches.

The hotel where the three pilots stay is San Francisco's historic Fairmont Hotel, located at 950 Mason Street. In the next few screen comparisons below we see the pilots, Cary Grant, Ray Walston and Larry Blyden, being driven down Mason Street to the hotel entrance. On their way to the hotel they pass the Brocklebank Apartments located at 1000 Mason Street which was also a key filming location in another film that is a personal favorite, Impact (1949) starring Brian Donlevy.

Looking North down Mason Street from the Brocklebank Apartments.

Looking North down Mason Street from the 
Brocklebank Apartments as it looks today.

The taxi passes the Brocklebank Apartments.

Brocklebank Apartments, 1000 Mason Street.

Looking East down Sacramento St. from Mason St.

Brocklebank Apts on left. Fairmont Hotel on right.

The taxi arrives at the Fairmont Hotel.

The Fairmont Hotel, 950 Mason Street.

Walston gets out of the taxi at the Fairmont.

Behind Walston is the Pacific-Union Club a private
social club across the street from the Fairmont Hotel.

Grant, Walston, and Blyden enter the Fairmont Hotel lobby.

The stylish Cary Grant with Suzy Parker

Just a side note: The August 2012 issue of GQ magazine has a four page spread praising the monkstrap dress shoe, so I thought it was interesting in the scene above with Grant sipping a martini on the floor with Suzy Parker, to see that he is wearing a pair of monkstrap shoes. Cary Grant never goes out of style!

A view of San Francisco from the Fairmont Hotel.

In the next scene Grant and Parker leave the Fairmont Hotel and board a trolley to a nightclub. The trolley heads away from the hotel going East down California Street but when they got off the trolley they are a few blocks Northeast from the hotel at the intersection of Powell and Washington in front of the Low Apartments building.

Grant and Parker board a trolley. Mason St. at California St.

Mason Street at California Street.

The trolley approaches the Low Apartments, 1060 Powell St.

The Low Apartments, 1060 Powell Street.

When Grant and Parker get off the trolley at the corner of Powell and Washington, it looks like they are walking across the street to the nightclub, but in reality the nightclub location is a half mile away at 498 Broadway Street.

Grant and Parker leave the trolley at Powell and Washington.

Looking up Powell St. from Washington St.

Below is the exterior of the nightclub location located at the corner of Broadway and Kearny Streets. Only the exterior of the location was used. The interior scenes were filmed on a soundstage. 

Looking up Kearny Street from Broadway.

Looking up Kearny Street from Broadway.

My first thought was that the nightclub location would have been across the street from where Grant and Parker get off the trolley, but the building that was there didn't look anything like the Club that is featured in the film, so I started looking elsewhere. As I mentioned before, the nightclub location turned out to be a half mile away from where Grant and Parker get off the trolley. 

Using the historic photographs available from the San Francisco Public Library I tried searching for old clubs and restaurants and eventually I came across an old photograph of a restaurant called "Vanessi's" (see below). Immediately when I saw the photo of Vanessi's restaurant I knew that that was the correct location for the nightclub scene. I also noticed that in the screenshot below with Grant and Parker standing in front of the Club are the numbers "49" and the address of Vanessi's happens to be "498" Broadway. See the yellow squares in the images below. Click the images to enlarge.

Grant and Parker at 498 Broadway, in front of the nightclub.

Vanessi's restaurant. 498 Broadway St, San Francisco

498 Broadway as it appears today - drastically remodeled.

In one of the last scenes of the film Grant and Parker are seen riding in the back of a taxi on their way to the shipyards. Along the way they drive down Hyde Street towards Lombard Street, the "Crookedest Street in the World," and then making a left down Lombard. In one view we can see Alcatraz Island in the distance and once they round the corner on to Lombard we get a view of Coit Tower in the background.

Looking North down Hyde Street from Lombard Street.
Alcatraz Island can be seen in the background.

Looking down Hyde Street from Lombard Street.

The taxi turns left down Lombard St. from Hyde St.

The small house at the corner of Hyde and Lombard is now gone.

The taxi heads down the crooked Lombard Street.
Coit Tower can be seen in the background.

Looking down crooked Lombard Street.

Even though the overall story for Kiss Them For Me may not be great, I still think this movie is worth watching for the reasons I mentioned before. The film is currently available for streaming on Netflix and is also available on DVD.

Your thoughts?

All contemporary images (c) 2012 Google, all screenshots (c) Twentieth Century Fox Home Entertainment, Vanessi's restaurant photograph from San Francisco Library collection.

The Fairmont Miramar Hotel

The Fairmont Miramar Hotel

Mark Twain and Susan B. Anthony were some of the first celebrity guests to stay at the Miramar Hotel in Santa Monica. At that time the hotel was a large Victorian mansion, built in 1889, as the residence of Senator John Percival. By the 1920s, the Miramar would become a popular place for Hollywood types. When Louis B. Mayer first brought Greta Garbo to Hollywood, the actress was put up in a suite inside a six story brick hotel building constructed next to the original mansion. In the 1930s, Jean Harlow would dine at the hotel restaurant and Betty Grable would sing in the Miramar lounge.

Over the years the hotel has changed dramatically. Different owners have each made their own additions and renovations to the property. In 1939 the original mansion was demolished and a swimming pool and bungalows were added. In 1959 a modern ten story tower was built on the property and a new pool area was added. The current owners of The Miramar Hotel have plans for another major renovation.

The Miramar Hotel seen in the film, Let's Make it Legal.

Looking at The Miramar Hotel from Ocean Avenue at Wilshire.

The Miramar Hotel has appeared several times on film. As early as 1946, according to the website Imdb.com, the bungalow apartments are featured in a scene from the Alan Ladd and Veronica Lake film,  The Blue Dahlia. Marilyn Monroe, who at times was a hotel guest, also appeared in a film that used the hotel pool.  In the film, Let's Make It Legal (1951) with Macdonald Carey, Claudette Colbert, Zachary Scott and Robert Wagner, Monroe runs up to Carey while he is dining with his daughter at the hotel pool. In the 1962 film, That Touch of Mink, Cary Grant and Doris Day can be seen in the renovated pool area that was completed in 1959. The Miramar has also appeared on television in such shows as Columbo, Starsky and Hutch, and Knots Landing.

Carey, Monroe, Bates by the Miramar Hotel pool.

A contemporary view of the Miramar Hotel pool.

Cary Grant, Doris Day in That Touch of Mink.

Another contemporary view of the Miramar pool.

The hotel bungalows as seen in The Blue Dahlia.

A contemporary view of the hotel bungalows.

If you don't want to spend the night at the hotel but you still want to see the hotel grounds, stop in for breakfast, lunch, dinner or drinks at the hotel restaurant FIG. The name FIG is a reference to a giant fig tree in front of the hotel that was planted by the wife of the original owner, Georgina Sullivan Jones, back in the late 1800s. The food is simple bistro fare, made with what is in season and is served in a seating area that overlooks the hotel pool and bungalows. If you use the hotel valet the restaurant will validate your parking. Afterwards you can walk across the street and stroll along Ocean Avenue and enjoy the view of the Pacific Ocean. I can imagine the athletic Garbo, in her time at the Miramar, running across the street to enjoy a swim in the ocean.