Showing posts with label Gary Cooper. Show all posts
Showing posts with label Gary Cooper. Show all posts

What Would You Do With a Check Signed by a Celebrity?


In his memoir, The Garner Files, actor James Garner mentions how when he got famous he couldn't go anywhere without someone approaching him for an autograph. Garner explains that he usually would just smile and write out his name, that it was easier than turning someone down and no feelings got hurt. According to Garner, Paul Newman stopped signing autographs after a guy approached him at urinal with a pen and paper. When the Dirty Harry films were in release, Garner says that Clint Eastwood used to get requests from people to autograph their guns. And Garner mentions that "Gary Cooper wrote checks for everything - gasoline, cigarettes, groceries, meals in restaurants - because he knew most of them wouldn't be cashed."

That got me thinking. If a celebrity wrote you a check for something, would you cash that check or frame it for the autograph?

That's a pretty clever idea on Gary Cooper's part.

Meet John Doe (1941) - Film Locations


Frank Capra is one of those directors where I can watch just about any one of his films and be entertained. Many of Capra's movies are heavily sentimental, wholesome message pictures which some critics have dismissively referred to as "Capra-corn." Although Capra's filmmaking style may seem a bit old-fashioned, for me personally it's one of the qualities I enjoy about Capra's films, and regardless of Capra's style, the subject matter in his films from the 1930s and 1940s, are just as relevant now as they were then. Whether it be a naive scout leader who thinks by becoming a senator and going to Washington he can help his country in Mr. Smith Goes to Washington (1939) or a presidential candidate who struggles to stick by his ideals and not sell out to special interest groups in State of the Union (1948), Capra's films touch on subjects that still strike a chord as a contemporary viewer watching the current political circus taking place.

The film Meet John Doe (1941), starring the always wonderful to watch Gary Cooper and Barbara Stanwyck, is another Capra classic portraying a "common man" fighting greed and corruption for the greater good of society. In this story, Stanwyck is a reporter who finds out that she is being laid off. For her last column she publishes a letter from a fictional "John Doe" who threatens to kill himself on Christmas Eve in response to society's inattention to people in need. When the letter is printed it causes a sensation and newspaper sales spike.  Stanwyck is kept on at the newspaper to continue her charade and to exploit the popularity of John Doe to sell more papers. After interviewing several hobos, Stanwyck discovers John Willoughby (Gary Cooper), a former baseball player in need of cash to repair an injured arm, to portray her John Doe.

With Cooper as the face of John Doe, Stanwyck continues to be John Doe's voice through her typewriter, publishing a series of letters from John Doe in the newspaper. With people all over the country stirred by John Doe's philosophy, the newspaper's publisher, D.B. Norton, decides to take things further and hires Cooper to give radio speeches which Stanwyck will write. A grassroots movement begins with John Doe supporters around the country creating John Doe clubs, with the simple philosphy of "Be a better neighbor."Intending to capitalize on John Doe's growing popularity, Norton plans to use John Doe to endorse him as a presidential candidate. Cooper himself begins to believe the John Doe philosophy, realizes he is being used and attempts to make things right with the public by exposing the entire scheme.

There is no real life city mentioned in the film, only a fictional town called "Millville" but the exterior scenes were all filmed in the Los Angeles area, including the Warner Bros. Studio backlot in Burbank. Here are a few of the Meet John Doe filming locations as they appear today.

Looking south down Vine Street just above Yucca Street.

Looking down Vine St. above Yucca St. as it appears today.

When John Doe is going to make his premier on radio, the scene opens with a shot of a guy hammering an advertisment to a pole that is on Vine Street in Hollywood. The camera gives us a view looking south down Vine Street from just above Yucca Street. We get a glimpse of the Broadway Hollywood building on the right. Just behind the bill advertising "Hear John Doe TONIGHT 9 P.M. W.B.N." is where today stands the Capital Records building, which wasn't finished until 1956, fifteen years after Meet John Doe was made.

NBC Studios, corner of Sunset Blvd. and Vine St.

Former site of NBC Studios at Sunset and Vine.

The location where Cooper gives the radio speech as John Doe is NBC Studios in Hollywood, located at the northeast corner of Sunset Boulevard and Vine Street. The art deco NBC building opened in 1938 and was the West Coast headquarters for NBC Radio Networks. In 1962 NBC moved to a new building in Burbank and in 1964 the Hollywood location was demolished. Today the site is the home to a Chase bank.

The "Millville" town square is Midwest Street at Warner Bros.

Midwest Street at Warner Bros. Studio, Burbank, Ca.

Later in the film, after Cooper realizes he is being used and decides to go back to obscurity, he is recognized in a diner in the small town of "Millville." Millville is really part of the Warner Bros. Studio backlot area known as Midwest Street. In the screenshot above the people of Millville frantically run across the town square to get a glimpse of John Doe. Midwest Street has appeared in numerous films including The Hard Way (1943), East of Eden (1955), The Music Man (1962), Suppose They Gave a War and Nobody Came? (1970) and The Monster Squad (1987) to name a few.

Millville City Hall

The city hall building on Midwest Street.

Looking across the Millville town square.

Looking across Midwest Street.

Near the end of the film, Cooper is supposed to give a big speech as John Doe endorsing Norton for president. Instead, Cooper plans to expose the whole deceptive scheme. The big speech takes place in a stadium and the stadium that was used for filming was Wrigley Field in Los Angeles. The stadium was located on 10 acres between San Pedro Street to the west, Avalon Blvd to the east, E. 41st Place to the north, and E. 42 Place to the south. The stadium opened on September 29, 1925 and for 33 seasons was the home to the Angels and for 11 seasons it was also the home to the rival Hollywood Stars. The stadium was eventually demolished in 1969.


Wrigley Field Los Angeles as seen in Meet John Doe.

Aerial view of Wrigley Field's opening in 1925.
Image from Los Angeles Public Library.

Aerial of the site of Wrigley Field as it looks today.

In the two images above, the first yellow rectangle shows the portion of the stadium that appears in the film and in the second image the yellow rectangle shows where that portion of the stadium would be if the stadium were still standing.

In the two images just below, the first is a screenshot showing the inside of Wrigley Field as seen in the film and the second is a clearer vintage photo from 1937, during a game of Hollywood comedians against Hollywood leading men.

Inside view of Wrigley Field as seen in Meet John Doe.

1937 Comedians vs. Leading Men game.
Image from Los Angeles Public Library.

The end of the film involves Cooper contemplating jumping from City Hall on Christmas Eve. Although Los Angeles is not mentioned as the location of the story, the city hall that is used for the story is the Los Angeles City Hall as seen in the screenshot below. However, it looks like the LA City Hall was recreated in one of the Warner Bros. Studio sound stages. For one, the skyline is different and second, although possible, its not likely to be snowing in downtown Los Angeles.

City Hall as seen in Meet John Doe.

The Los Angeles City Hall.

I highly recommend this film. If you haven't yet seen this classic, ClassicFlix currently has Meet John Doe available on DVD to buy or to rent.

Images (c) Warner Bros. Entertainment, (c) 2013 Google, (c) 2013 Microsoft Corporation Pictometry Bird's Eye (c) 2012 Pictometry International Corp.

Cooper, Rainer and The Beverly Wilshire Hotel

Lobby of the Beverly Wilshire Hotel, Beverly Hills

Gary Cooper didn't waste any time going from silent film stunt man to the top leading man of the silver screen. With his tall, handsome looks and "aw shucks" attitude, Cooper charmed both women and men alike. He was the kind of guy audiences would pay to see. Cooper, who grew up in wild west Montana but spent a few years living in Bedfordshire, England to attend grammar school, developed qualities that made him believable playing both cowboys and refined urban characters. He would evolve into the image of the ideal American, even playing  a few real life American icons, including Sergeant York and Lou Gehrig. It's no surprise that even off screen Cooper attracted those around him, especially the ladies.

One of those ladies was German actress Luise Rainer. According to Jeffrey Meyers biography Gary Cooper: American Hero, Rainer, after seeing Cooper in the film A Farewell to Arms, was inspired to come to Hollywood. Meyers writes that "when she saw him in the lobby of the Beverly Wilshire Hotel, she felt weak at the knees and was ready to surrender." Above is a contemporary image of the Beverly Wilshire Hotel lobby, but I much prefer this image below that shows how the lobby would have looked closer to the time Rainer first met Cooper there.

Beverly Wilshire Hotel lobby, probably late 1920s.
Photo: LAPL

The Beverly Wilshire Hotel, located at 9500 Wilshire Boulevard in Beverly Hills, was built in 1928. It has always been a luxury hotel that appealed to Hollywood's elite. Some classic movie legends have even lived in the hotel at various times, including actors Clark Gable and Spencer Tracy, who like Cooper, had their fair share of affairs. The hotel has even been used as a filming location, most famously in Pretty Woman (1990), starring Richard Gere and Julia Roberts.

Gary Cooper and Luise Rainer

Meyers goes on to quote actor Richard Widmark as saying that Cooper "was catnip to the ladies" and that director Stuart Heisler said, "Coop was probably the greatest cocksman that ever lived. They fell over themselves to get him to take them to bed" - just like Rainer, at the site of Cooper, was ready to "surrender" herself in the  hotel lobby.

NINOTCHKA / DESIGN FOR LIVING Double Feature

Gary Cooper, Fredric March, Miriam Hopkins in
Design For Living (1933)

Earlier this month The Criterion Collection released a high definition digital restoration of the pre-code classic film, Design For Living (1933) on DVD and Blu-Ray, but if you want a chance to enjoy this film on the big screen as it was meant to be, prior to enjoying the film at home, the American Cinematheque will be presenting a screening of the film at the Aero theatre in Santa Monica, California. The screening is scheduled for Wednesday, December 28, 2011 and is the second part of a double feature, the first film being another Ernst Lubitsch classic, Ninotchka (1939). Lubitsch's daughter Nicola, will be introducing the double feature. And for those who haven't purchased a copy of Design For Living, all ticket holders will have a chance to win a DVD of the Criterion release.

Design For Living stars the always handsome Gary Cooper, the actor's actor Fredric March, and scene stealer Miriam Hopkins. Cooper and March play roommates living in Paris who both fall in love with the same girl, Gilda Farrell, played by Hopkins. Hopkins can't decide which man she loves, so what does she do? She decides to live with both men!

"Garbo Laughs!" was the tagline for the romantic comedy, Ninotchka, starring Greta Garbo and Melvyn Douglas. In this film, Garbo is a tough Russian woman sent to Paris to sell some stolen jewelery and bring back three fellow Russians who couldn't complete the task because they had become distracted by the luxuries of a capitalist society. Garbo too begins to fall in love with the West and also with a charming Count (Douglas). What is a Russian girl to do?

Details
Where: Aero Theatre, 1328 Montana Avenue, Santa Monica, CA
When: Wedensday, December 28, 2011 at 7:30pm