Showing posts with label old hollywood. Show all posts
Showing posts with label old hollywood. Show all posts

Champagne For Caesar (1950) - Film Locations



In Champagne For Caesar (1950), Vincent Price, the "Master of Horror," shows that not only can he be sinister, but uproariously funny as well. I'm actually quite surprised that after this film that Price didn't do more comedies than he did. He nearly steals every scene in which he appears. But seeing Price in a perfect comedic part is just one of the delightful reasons that make Caesar a fun film to watch.

The story centers on Beauregard Bottomley, a genius (naturally played by Ronald Coleman) who goes on a television quiz show. While Coleman is on the show, he keeps getting all the questions correct and wins more and more money. The show's sponsor, the Milady Soap Co., headed by Price, wants to stop Coleman from winning. His solution is to send the seductive Celeste Holm after Coleman as a distraction. Coleman must resist Holm if he wants to continue winning on the show.

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CBS Columbia Square as seen in Champagne For Caesar.

CBS Columbia Square, 6121 Sunset Boulevard.

The quiz show takes place at CBS Columbia Square, located at 6121 Sunset Boulevard in Hollywood. See the comparison above showing how the building appears in the film compared to how the building appears today. This building served as CBS's radio and television operations for the West Coast from 1938 to 2007. Many popular radio programs originated here, including shows for Jack Benny, Jimmy Durante, Donald O. Connor, Burns and Allen, and Steve Allen. When television arrived, shows such as The Ed Wynn Show and the pilot episode for I Love Lucy were produced here. According to the book, James Dean: Dream As If You'll Live Forever, author Karen Clemens Warrick mentions that James Dean was an usher at CBS. She writes of Dean's experience that "Dean enjoyed watching the shows, but he did not like being told what to do and what to wear. He called the uniform a 'monkey suit.' He was fired at the end of the first week."

Art Linkletter and Ronald Colman at CBS.

Art Linkletter stars in the film as the quiz show host. In real life Linkletter was a popular radio and television host including the popular CBS program House Party, which ran for 25 years.

Vincent Price and Celeste Holm.

Red Studios Hollywood located at 846 North Cahuenga Boulevard in Hollywood was the location used for the Milady Soap Co. headquarters. The independent studio lot, first built in 1915, has had many previous tenants over the years and has been known at various times as the Metro Pictures Back Lot #3,  Motion Picture Center Studios, DesiLu Cahuenga Studios, Television Center Studios, and Ren-Mar Studios. Although the main entrance to the studio is on Cahuenga, for Champagne For Caesar the back entrance to the studio located on Lillian Way was used to film the entrance to the Milady Soap Co. Although the studio has been drastically remodeled, there are some details that are still the same, like the power source on the side of the building in the red circle and the sliding wire fence.

Red Studios Hollywood used for the "Milady Soap Co."

The back entrance to Red Studios located on Lillian Way.

During one part in the film we see Celeste Holm take Ronald Colman on a wild ride through Hollywood. They mainly drive down Hollywood Boulevard and then make a turn from Hollywood on to Vine Street heading south. They pass such landmarks as the Egyptian Theatre, the Vogue Theatre, and in the distance of one shot we see radio towers that stand on top of the Warner Hollywood Theatre.

Hollywood Boulevard approaching Las Palmas Ave.

Hollywood Blvd looking towards Las Palmas Ave.

In the comparison above we can see that the Egyptian Theatre is still standing on the right, the Vogue Theatre is still on the left, and in the distance the radio towers are still standing on top of what was formerly the Warner Hollywood Theatre.

Hollywood Boulevard and Cherokee Avenue.

Hollywood Boulevard at Cherokee Avenue.

In the next scene Holm and Colman turn from Hollywood Boulevard on to Vine Street heading south. In the background we get a glimpse of the Melody Lane Restaurant located on the northwest corner of Hollywood and Vine. Before this building was the Melody Lane Restaurant it was Carl Laemmle's Coco Tree Cafe. Laemmle (yes, the Universal Studios mogul) had hired architect Richard Neutra in 1932 to design a modern and fancy lunch spot, but with the idea that there would be billboards above the restaurant advertising Universal pictures. The Coco Tree Cafe was a success but when Carl Laemmle died in 1939, the Pig 'n' Whistle manager Sidney Hoedemaker took over the location and completely remodeled the building, turning it into the Melody Lane Restaurant. After Melody Lane the building would have several other tenants including Hody's, Howard Johnson's,  and most recently Basque Nightclub, until a fire destroyed the place in 2008. Today the corner is an empty lot.

Colman and Holm pass the Melody Lane restaurant at Hollywood and Vine.

Looking north on Vine Street across Hollywood Blvd. Vintage postcard view.

The same intersection of Hollywood and Vine as it appears now.

The final round of the quiz show takes place at another Hollywood landmark, the Hollywood Bowl. In the next two comparisons we first see cars arriving at the entrance to the Hollywood Bowl located on Highland Avenue and in the second the interior of the Hollywood Bowl. The Hollywood Bowl, an outdoor amphitheater primarily used for summer concerts, has long been a popular filming location. Other films that feature the Hollywood Bowl include A Star is Born (1937), Hollywood or Bust (1956), Moonlight Murder (1936), Two On A Guillotine (1965), It's A Good Feeling (1949), Anchors Aweigh (1945), and Double Indemnity (1944).

The Hollywood Bowl entrance as seen in the film.

The Hollywood Bowl entrance.

The quiz show moves inside the Hollywood Bowl.

A modern view inside the Hollywood Bowl.

Champagne For Caesar can be rented through ClassicFlix. The film includes a great cast with superb comedic performances. Add this to your queue the next time you're looking for a few laughs or are interested in seeing a few Hollywood landmarks.

Big City (1937) - Film Locations

Luise Rainer and Spencer Tracy

When I really like an actor I feel the need to see all of their films. I know not all of them will be great. Some will probably be only so-so or simply bad, but I get some enjoyment from watching the smaller or maybe less appreciated films that my favorite stars appeared in. At times I'm even surprised and a movie that I go into not expecting much turns out to have some qualities I really like. That's what happened when I watched Big City (1937), starring Spencer Tracy and Luise Rainer.

Tracy plays a New York City cab driver married to an immigrant wife (Rainer). The two are madly in love but things are tough in the big city, especially for independent cab drivers trying to make a living like Tracy, who are constantly being harassed by the big unionized cab drivers. Things get out of control, escalating to an all out battle between the independents and the union cabbies. After one person dies in an explosion, Tracy's immigrant wife is threatened to be deported.

The trouble with Big City is the story is all over the place. What starts as a romantic drama evolves into a manic slapstick comedy by the end, when a brawl erupts between the independents, the union cabbies and some famous athletes. The feel of the movie is inconsistent. Nevertheless, Tracy and Rainer make this movie fun to watch. I really enjoyed seeing Tracy and Rainer on screen in the only film they made together. Some other gems include seeing cameo appearances by some famous athletes of the time and something I'm always interested in, real world film locations.

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Jack Dempsey's Restaurant as seen in Big City.

Former site of Jack Dempsey's Restaurant in New York.

Near the end of the film, Tracy barges into a dinner meeting taking place inside Jack Dempsey's Restaurant. Tracy's wife is about to be deported and he pleads with the mayor, who is speaking at the dinner to help him, that if anyone could save his wife, it would be the mayor. The restaurant was a real location,  located at 8th Avenue and West 50th Street in New York and owned by heavyweight boxing champion Jack Dempsey, who has a cameo appearance. The place opened in 1935, just a couple years before Big City was filmed.  Above is an image of Jack Dempsey's Restaurant as it appears in the film and below that is a vintage postcard image of how the restaurant looked.


The mayor decides to help Tracy. Escorted by some of the other dinner patrons (more famous athletes including Jim Thorpe, Jim Jeffries and Maxie Rosenbloom) the group races to the docks in a few cars to stop the ship that is about to deport Rainer. We see the cars race down two more real New York streets and then suddenly, for someone looking closely, one will notice the cars are racing down the streets of Hollywood! Below are two more views of New York and then the jump to Hollywood.

The first view is of Broadway, near the Jack Dempsey Restaurant location. In this view we see the Trans-Lux Theatre, located at 1619 Broadway. This theatre, which opened in 1931, was struggling by 1937 when this film was made. What's interesting is that in 1937, Jack Dempsey and his business partner Jack Amiel purchased the Trans-Lux property and converted the site into Jack Dempsey's Broadway Bar and Cocktail Lounge.

Trans-Lux Theatre, 1619 Broadway, New York

Contemporary view of the Trans-Lux Theatre site.

The next New York view seen in the film shows us the corner of West 47th Street and Broadway in Times Square. The most prominent building that can be seen in the screenshot is the Florsheim Shoe store. It's amazing how different Times Square looks today compared to 1937.

W. 47th Street and Broadway, New York

W. 47th Street and Broadway, New York

Now we jump to the Hollywood locations. As Tracy races down the New York City streets to reach his wife before she is deported we suddenly see the cars driving down Hollywood Boulevard and also down Ivar Avenue. Some of the buildings that can be seen are the Hollywood Citizen Stationary Store, a Schwab's store, Nancy's, Delphene's, a Thrifty Drug Store, a Colombia building, the Guaranty Building and the Broadway Hollywood Building.


Looking west down Hollywood Blvd from Cosmo St.
Looking west down Hollywood Blvd from Cosmo St.

Above is the first shot of Hollywood. This view is looking west down Hollywood Boulevard from Cosmo Street. The building with the neon "Dentist" sign is part of the Julian Medical Building, a former drug store with medical offices on top.

Hollywood Blvd at Cosmo St.

Corner of Hollywood Blvd and Cosmo St.

Corner of Hollywood Blvd and Cosmo St.

Former site of Schwabs and Hollywood Citizen Stationary.

Tracy's car races past Schwabs.

Thrifty Drug Store, SW corner of Hollywood Blvd at Ivar Ave.


Former site of Thrifty Drug Store, Hollywood Blvd at Ivar Ave.

Guaranty Building 6331 Hollywood Boulevard.

Guaranty Building 6331 Hollywood Boulevard.

Looking east down Hollywood Blvd from Ivar Ave.

Looking east down Hollywood Blvd from Ivar Ave.

Above is a view looking east down Hollywood Boulevard. The "Columbia" building is now hidden behind some trees. Below you can see a closeup image of this building to see how this building looks now. In the background of the screenshot the signs from the Broadway Hollywood Building and the Taft building can be seen - both buildings are still standing at the corner of Hollywood and Vine.

The former Colombia Building 6324-32 Hollywood Blvd.

Big City (1937) is available for rent through ClassicFlix. The film was directed by Frank Borzage and also stars Charley Grapewin, Janet Beecher, Eddie Quillan, Victor Varconi, Oscar O'Shea, Helen Troy, William Demarest, John Arledge, Irving Bacon, Guinn 'Big Boy' Williams, Regis Toomey, Edgar Dearing, and Paul Harvey.

All screenshots (c) Warner Home Video. All contemporary images (c) 2013 Google, except Jack Dempsey Restaurant site courtesy of ScenePast.

Meet John Doe (1941) - Film Locations


Frank Capra is one of those directors where I can watch just about any one of his films and be entertained. Many of Capra's movies are heavily sentimental, wholesome message pictures which some critics have dismissively referred to as "Capra-corn." Although Capra's filmmaking style may seem a bit old-fashioned, for me personally it's one of the qualities I enjoy about Capra's films, and regardless of Capra's style, the subject matter in his films from the 1930s and 1940s, are just as relevant now as they were then. Whether it be a naive scout leader who thinks by becoming a senator and going to Washington he can help his country in Mr. Smith Goes to Washington (1939) or a presidential candidate who struggles to stick by his ideals and not sell out to special interest groups in State of the Union (1948), Capra's films touch on subjects that still strike a chord as a contemporary viewer watching the current political circus taking place.

The film Meet John Doe (1941), starring the always wonderful to watch Gary Cooper and Barbara Stanwyck, is another Capra classic portraying a "common man" fighting greed and corruption for the greater good of society. In this story, Stanwyck is a reporter who finds out that she is being laid off. For her last column she publishes a letter from a fictional "John Doe" who threatens to kill himself on Christmas Eve in response to society's inattention to people in need. When the letter is printed it causes a sensation and newspaper sales spike.  Stanwyck is kept on at the newspaper to continue her charade and to exploit the popularity of John Doe to sell more papers. After interviewing several hobos, Stanwyck discovers John Willoughby (Gary Cooper), a former baseball player in need of cash to repair an injured arm, to portray her John Doe.

With Cooper as the face of John Doe, Stanwyck continues to be John Doe's voice through her typewriter, publishing a series of letters from John Doe in the newspaper. With people all over the country stirred by John Doe's philosophy, the newspaper's publisher, D.B. Norton, decides to take things further and hires Cooper to give radio speeches which Stanwyck will write. A grassroots movement begins with John Doe supporters around the country creating John Doe clubs, with the simple philosphy of "Be a better neighbor."Intending to capitalize on John Doe's growing popularity, Norton plans to use John Doe to endorse him as a presidential candidate. Cooper himself begins to believe the John Doe philosophy, realizes he is being used and attempts to make things right with the public by exposing the entire scheme.

There is no real life city mentioned in the film, only a fictional town called "Millville" but the exterior scenes were all filmed in the Los Angeles area, including the Warner Bros. Studio backlot in Burbank. Here are a few of the Meet John Doe filming locations as they appear today.

Looking south down Vine Street just above Yucca Street.

Looking down Vine St. above Yucca St. as it appears today.

When John Doe is going to make his premier on radio, the scene opens with a shot of a guy hammering an advertisment to a pole that is on Vine Street in Hollywood. The camera gives us a view looking south down Vine Street from just above Yucca Street. We get a glimpse of the Broadway Hollywood building on the right. Just behind the bill advertising "Hear John Doe TONIGHT 9 P.M. W.B.N." is where today stands the Capital Records building, which wasn't finished until 1956, fifteen years after Meet John Doe was made.

NBC Studios, corner of Sunset Blvd. and Vine St.

Former site of NBC Studios at Sunset and Vine.

The location where Cooper gives the radio speech as John Doe is NBC Studios in Hollywood, located at the northeast corner of Sunset Boulevard and Vine Street. The art deco NBC building opened in 1938 and was the West Coast headquarters for NBC Radio Networks. In 1962 NBC moved to a new building in Burbank and in 1964 the Hollywood location was demolished. Today the site is the home to a Chase bank.

The "Millville" town square is Midwest Street at Warner Bros.

Midwest Street at Warner Bros. Studio, Burbank, Ca.

Later in the film, after Cooper realizes he is being used and decides to go back to obscurity, he is recognized in a diner in the small town of "Millville." Millville is really part of the Warner Bros. Studio backlot area known as Midwest Street. In the screenshot above the people of Millville frantically run across the town square to get a glimpse of John Doe. Midwest Street has appeared in numerous films including The Hard Way (1943), East of Eden (1955), The Music Man (1962), Suppose They Gave a War and Nobody Came? (1970) and The Monster Squad (1987) to name a few.

Millville City Hall

The city hall building on Midwest Street.

Looking across the Millville town square.

Looking across Midwest Street.

Near the end of the film, Cooper is supposed to give a big speech as John Doe endorsing Norton for president. Instead, Cooper plans to expose the whole deceptive scheme. The big speech takes place in a stadium and the stadium that was used for filming was Wrigley Field in Los Angeles. The stadium was located on 10 acres between San Pedro Street to the west, Avalon Blvd to the east, E. 41st Place to the north, and E. 42 Place to the south. The stadium opened on September 29, 1925 and for 33 seasons was the home to the Angels and for 11 seasons it was also the home to the rival Hollywood Stars. The stadium was eventually demolished in 1969.


Wrigley Field Los Angeles as seen in Meet John Doe.

Aerial view of Wrigley Field's opening in 1925.
Image from Los Angeles Public Library.

Aerial of the site of Wrigley Field as it looks today.

In the two images above, the first yellow rectangle shows the portion of the stadium that appears in the film and in the second image the yellow rectangle shows where that portion of the stadium would be if the stadium were still standing.

In the two images just below, the first is a screenshot showing the inside of Wrigley Field as seen in the film and the second is a clearer vintage photo from 1937, during a game of Hollywood comedians against Hollywood leading men.

Inside view of Wrigley Field as seen in Meet John Doe.

1937 Comedians vs. Leading Men game.
Image from Los Angeles Public Library.

The end of the film involves Cooper contemplating jumping from City Hall on Christmas Eve. Although Los Angeles is not mentioned as the location of the story, the city hall that is used for the story is the Los Angeles City Hall as seen in the screenshot below. However, it looks like the LA City Hall was recreated in one of the Warner Bros. Studio sound stages. For one, the skyline is different and second, although possible, its not likely to be snowing in downtown Los Angeles.

City Hall as seen in Meet John Doe.

The Los Angeles City Hall.

I highly recommend this film. If you haven't yet seen this classic, ClassicFlix currently has Meet John Doe available on DVD to buy or to rent.

Images (c) Warner Bros. Entertainment, (c) 2013 Google, (c) 2013 Microsoft Corporation Pictometry Bird's Eye (c) 2012 Pictometry International Corp.