BERENICE - a Tale - by EDGAR A. POE.

Edgar Allan Poe (1809 � 1849) was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction.

He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

BERENICE

Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon like the rainbow, its hues are as various as the hues of that arch, as distinct too, yet as intimately blended. Overreaching the wide horizon like the rainbow! How is it that from Beauty I have derived a type of unloveliness ? from the covenant of Peace a simile of sorrow ? But thus is it. And as, in ethics, Evil is a consequence of Good, so, in fact, out of Joy is sorrow born. Either the memory of past bliss is the anguish of today, or the agonies which are, have their origin in the ecstasies which might have been. I have a tale to tell in its own essence rife with horror I would suppress it were it not a record more of feelings than of facts.

My baptismal name is Eg�us that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, grey, hereditary halls. Our line has been called a race of visionaries: and in many striking particulars in the character of the family mansion, in the frescos of the chief saloon, in the tapestries of the dormitories, in the chiseling of some buttresses in the armory, but more especially in the gallery of antique paintings, in the fashion of the library chamber and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before that the soul has no previous existence. You deny it. Let us not argue the matter. Convinced myself I seek not to convince. There is, however, a remembrance of �rial forms of spiritual and meaning eyes of sounds musical yet sad a remembrance which will not be excluded: a memory like a shadow, vague, variable, indefinite, unsteady and like a shadow too, in the impossibility of my getting rid of it, while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking, as it were, from the long night of what seemed, but was not, nonentity at once into the very regions of fairy land into a palace of imagination into the wild dominions of monastic thought and erudition it is not singular that I gazed around me with a startled and ardent eye that I loitered away my boyhood in books, and dissipated my youth in reverie but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers it is wonderful what stagnation there fell upon the springs of my life wonderful how total an inversion took place in the character of my common thoughts. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, not the material of my everyday existence, but in very deed that existence utterly and solely in itself.

                                                               * * *

Berenice and I were cousins, and we grew up together in my paternal halls, yet differently we grew. I ill of health and buried in gloom she agile, graceful, and overflowing with energy. Hers the ramble on the hill side, mine the studies of the cloister. I living within my own heart, and addicted body and soul to the most intense and painful meditation she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice ! I call upon her name Berenice ! and from the grey ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy ! Oh ! gorgeous yet fantastic beauty ! Oh ! Sylph amid the shrubberies of Arnheim ! Oh ! Naiad among her fountains ! and then...then all is mystery and terror, and a tale which should not be told. Disease, a fatal disease fell like the Simoom upon her frame, and, even while I gazed upon her, the spirit of change swept over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the very identity of her person! Alas! the destroyer came and went, and the victim where was she? I knew her not or knew her no longer as Berenice.

Among the numerous train of maladies, superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself trance very nearly resembling positive dissolution, and from which her manner of recovery was, in most instances, startingly abrupt. In the meantime my own disease for I have been told that I should call it by no other appellation my own disease, then, grew rapidly upon me, and, aggravated in its symptoms by the immoderate use of opium, assumed finally a monomaniac character of a novel and extraordinary form hourly and momentarily gaining vigor and at length obtaining over me the most singular and incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of the nerves immediately affecting those properties of the mind, in metaphysical science termed the attentive. It is more than probable that I am not understood but I fear that it is indeed in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied, and, as it were, buried themselves in the contemplation of even the most common objects of the universe.

To muse for long unwearied hours with my attention rivetted to some frivolous device upon the margin, or in the typography of a book to become absorbed for the better part of a summer's day in a quaint shadow falling aslant upon the tapestry, or upon the floor to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire to dream away whole days over the perfume of a flower to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind to lose all sense of motion or physical existence in a state of absolute bodily quiescence long and obstinately persevered in such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to any thing like analysis or explanation.

Yet let me not be misapprehended. The undue, intense, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. By no means. It was not even, as might be at first supposed, an extreme condition, or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day-dream often replete with luxury, he finds the incitamentum or first cause of his musings utterly vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any�were made; and those few pertinaciously returning in, so to speak, upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative, and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio "de amplitudine beati regni Dei" - St. Austin's great work the "City of God" and Tertullian "de Carne Christi," in which the unintelligible sentence "Mortuus est Dei filius; credibile est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est" occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the fearful alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and morbid meditation whose nature I have been at some trouble in explaining, yet such was not by any means the case. In the lucid intervals of my infirmity, her calamity indeed gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fail to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice, and in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings, with me, had never been of the heart, and my passions always were of the mind. Through the grey of the early morning among the trellissed shadows of the forest at noonday, and in the silence of my library at night, she had flitted by my eyes, and I had seen her not as the living and breathing Berenice, but as the Berenice of a dream not as a being of the earth - earthly, but as the abstraction of such a being not as a thing to admire, but to analyze, not as an object of love, but as the theme of the most abstruse although desultory speculation. And now...now I shuddered in her presence, and grew pale at her approach; yet, bitterly lamenting her fallen and desolate condition, I knew that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon, I sat, and sat, as I thought alone, in the inner apartment of the library. But uplifting my eyes Berenice stood before me.

Was it my own excited imagination or the misty influence of the atmosphere or the uncertain twilight of the chamber or the grey draperies which fell around her figure that caused it to loom up in so unnatural a degree ? I could not tell. Perhaps she had grown taller since her malady. She spoke, however, no word, and I not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and, sinking back upon the chair, I remained for some time breathless, and motionless, and with my eyes rivetted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being lurked in any single line of the contour. My burning glances at length fell upon her face.

The forehead was high, and very pale, and singularly placid; and the once golden hair fell partially over it, and overshadowed the hollow temples with ringlets now black as the raven's ring, and jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and I shrunk involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted: and, in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died !

*  *  *

                                                          

The shutting of a door disturbed me, and, looking up, I found my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck upon their surface not a shade on their enamel, not a line in their configuration, not an indenture in their edges but what that brief period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth ! the teeth ! they were here, and there, and every where, and visibly, and palpably before me, long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. All other matters and all different interests became absorbed in their single contemplation. They...they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light, I turned them in every attitude. I surveyed their characteristics I dwelt upon their peculiarities I pondered upon their conformation I mused upon the alteration in their nature and shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Sall� it has been said, "que tous ses pas etaient des sentiments," and of Berenice I more seriously believed que tous ses dents etaient des id�es.

And the evening closed in upon me thus and then the darkness came, and tarried, and went and the day again dawned and the mists of a second night were now gathering around and still I sat motionless in that solitary room, and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid and hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke forcibly in upon my dreams a wild cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices intermingled with many low moanings of sorrow, or of pain. I arose hurriedly from my seat, and, throwing open one of the doors of the library, there stood out in the antechamber a servant maiden, all in tears, and she told me that Berenice was no more. Seized with an epileptic fit she had fallen dead in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

With a heart full of grief, yet reluctantly, and oppressed with awe, I made my way to the bed-chamber of the departed. The room was large, and very dark, and at every step within its gloomy precincts I encountered the paraphernalia of the grave. The coffin, so a menial told me, lay surrounded by the curtains of yonder bed, and in that coffin, he whisperingly assured me, was all that remained of Berenice. Who was it asked me would I not look upon the corpse? I had seen the lips of no one move, yet the question had been demanded, and the echo of the syllables still lingered in the room. It was impossible to refuse; and with a sense of suffocation I dragged myself to the side of the bed. Gently I uplifted the sable draperies of the curtains.

As I let them fall they descended upon my shoulders, and shutting me thus out from the living, enclosed me in the strictest communion with the deceased.

The very atmosphere was redolent of death. The peculiar smell of the coffin sickened me; and I fancied a deleterious odor was already exhaling from the body. I would have given worlds to escape to fly from the pernicious influence of mortality to breathe once again the pure air of the eternal heavens. But I had no longer the power to move my knees tottered beneath me and I remained rooted to the spot, and gazing upon the frightful length of the rigid body as it lay outstretched in the dark coffin without a lid.

God of heaven ! is it possible ? Is it my brain that reels or was it indeed the finger of the enshrouded dead that stirred in the white cerement that bound it ? Frozen with unutterable awe I slowly raised my eyes to the countenance of the corpse. There had been a band around the jaws, but, I know not how, it was broken asunder. The livid lips were wreathed into a species of smile, and, through the enveloping gloom, once again there glared upon me in too palpable reality, the white and glistening, and ghastly teeth of Berenice. I sprang convulsively from the bed, and, uttering no word, rushed forth a maniac from that apartment of triple horror, and mystery, and death.

I found myself again sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which had intervened I had no positive, at least no definite comprehension. Yet its memory was rife with horror, horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record of my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain, while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed, what was it ? And the echoes of the chamber answered me "what was it ?"

On the table beside me burned a lamp, and near it lay a little box of ebony. It was a box of no remarkable character, and I had seen it frequently before, it being the property of the family physician; but how came it there upon my table, and why did I shudder in regarding it ? These were things in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular, but simple words of the poet Ebn Zaiat. "Dicebant mihi sodales si sepulchrum amic� visitarem curas meas aliquantulum fore levatas." Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body congeal within my veins ?

There came a light tap at the library door, and, pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he ? some broken sentences I heard. He told of a wild cry heard in the silence of the night of the gathering together of the household of a search in the direction of the sound and then his tones grew thrillingly distinct as he whispered me of a violated grave of a disfigured body discovered upon its margin a body enshrouded, yet still breathing, still palpitating, still alive !

He pointed to my garments they were muddy and clotted with gore. I spoke not, and he took me gently by the hand but it was indented with the impress of human nails. He directed my attention to some object against the wall, I looked at it for some minutes it was a spade. With a shriek I bounded to the table, and grasped the ebony box that lay upon it. But I could not force it open, and in my tremor it slipped from out my hands, and fell heavily, and burst into pieces, and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with many white and glistening substances that were scattered to and fro about the floor.

MAD MUSIC by Anthony Pelcher

To the accompaniment of a crashing roar, not unlike rumbling thunder, the proud Colossus Building, which a few minutes before had reared its sixty stories of artistic architecture towards the blue dome of the sky, crashed in a rugged, dusty heap of stone, brick, cement and mortar. The steel framework, like the skeleton of some prehistoric monster, still reared to dizzy heights but in a bent and twisted shape of grotesque outline.

No one knew how many lives were snuffed out in the avalanche.

As the collapse occurred in the early dawn it was not believed the death list would be large. It was admitted, however, that autos, cabs and surface cars may have been caught under the falling rock. One train was known to have been wrecked in the subway due to a cave-in from the surface under the ragged mountain of debris.

The litter fairly filled a part of Times Square, the most congested cross-roads on God's footstool. Straggling brick and rock had rolled across the street to the west and had crashed into windows and doors of innocent small tradesmen's shops.

A few minutes after the crash a mad crowd of people had piled from subway exits as far away as Penn Station and Columbus Circle and from cross streets. These milled about, gesticulating and shouting hysterically. All neighboring police stations were hard put to handle the growing mob.

Hundreds of dead and maimed were being carried to the surface from the wrecked train in the subway. Trucks and cabs joined the ambulance crews in the work of transporting these to morgues and hospitals. As the morning grew older and the news of the disaster spread, more milling thousands tried to crowd into the square. Many were craning necks hopelessly on the outskirts of the throng, blocks away, trying vainly to get a view of what lay beyond.

The fire department and finally several companies of militia joined the police in handling the crowd. Newsies, never asleep, yowled their "Wuxtras" and made much small money.

The newspapers devoted solid pages in attempting to describe what had happened. Nervously, efficient reporters had written and written, using all their best adjectives and inventing new ones in attempts to picture the crash and the hysterics which followed.

When the excitement was at its height a middle-aged man, bleeding at the head, clothes torn and dusty, staggered into the West 47th street police station. He found a lone sergeant at the desk.

The police sergeant jumped to his feet as the bedraggled man entered and stumbled to a bench.

"I'm Pat Brennan, street floor watchman of the Colossus," he said. "I ran for it. I got caught in the edge of the wreck and a brick clipped me. I musta been out for some time. When I came around I looked back just once at the wreck and then I beat it over here. Phone my boss."

"I'll let you phone your boss," said the sergeant, "but first tell me just what happened."

"Earthquake, I guess. I saw the floor heaving in waves. Glass was crashing and falling into the street. All windows in the arcade buckled, either in or out. I ran into the street and looked up. God, what a sight! The building from sidewalk to towers was rocking and waving and twisting and buckling and I saw it was bound to crumple, so I lit out and ran. I heard a roar like all Hell broke loose and then something nicked me and my light went out."

"How many got caught in the building?"

"Nobody got out but me, I guess. There weren't many tenants. The building is all rented, but not everybody had moved in yet and those as had didn't spend their nights there. There was a watchman for every five stories. An engineer and his crew. Three elevator operators had come in. There was no names of tenants in or out on my book after 4 A.M. The crash musta come about 6. That's all."

Throughout the country the news of the crash was received with great interest and wonderment, but in one small circle it caused absolute consternation. That was in the offices of the Muller Construction Company, the builders of the Colossus. Jason V. Linane, chief engineer of the company, was in conference with its president, James J. Muller.

 Muller sat with his head in his hands, and his face wore an expression of a man in absolute anguish. Linane was pacing the floor, a wild expression in his eyes, and at times he muttered and mumbled under his breath.

In the other offices the entire force from manager to office boys was hushed and awed, for they had seen the expressions on the faces of the heads of the concern when they stalked into the inner office that morning.

Muller finally looked up, rather hopelessly, at Linane.

"Unless we can prove that the crash was due to some circumstance over which we had no control, we are ruined," he said, and there actually were tears in his eyes.

"No doubt about that," agreed Linane, "but I can swear that the Colossus went up according to specifications and that every ounce and splinter of material was of the best. The workmanship was faultless. We have built scores of the biggest blocks in the world and of them all this Colossus was the most perfect. I had prided myself on it. Muller, it was perfection. I simply cannot account for it. I cannot. It should have stood up for thousands of years. The foundation was solid rock. It positively was not an earthquake. No other building in the section was even jarred. No other earthquake was ever localized to one half block of the earth's crust, and we can positively eliminate an earthquake or an explosion as the possible cause. I am sure we are not to blame, but we will have to find the exact cause."

"If there was some flaw?" questioned Muller, although he knew the answer.

"If there was some flaw, then we're sunk. The newspapers are already clamoring for probes, of us, of the building, of the owners and everybody and everything. We have got to have something damned plausible when we go to bat on this proposition or every dollar we have in the world will have to be paid out."

"That is not all," said Muller: "not only will we be penniless, but we may have to go to jail and we will never be able to show our faces in reputable business circles again. Who was the last to go over that building?"

"I sent Teddy Jenks. He is a cub and is swell headed and too big for his pants, but I would bank my life on his judgment. He has the judgment of a much older man and I would also bank my life and reputation on his engineering skill and knowledge. He pronounced the building positively O.K. 100 per cent."

"Where is Jenks?"

"He will be here as soon as his car can drive down from Tarrytown. He should be here now."

As they talked Jenks, the youngest member of the engineering force, entered. He entered like a whirlwind. He threw his hat on the floor and drew out a drawer of a cabinet. He pulled out the plans for the Colossus, big blue prints, some of them yards in extent, and threw them on the floor. Then he dropped to his knees and began poring over them.

"This is a hell of a time for you to begin getting around," exploded Muller. "What were you doing, cabareting all night?"

"It sure is terrible - awful," said Jenks, half to himself.

"Answer me," thundered Muller.

"Oh yes," said Jenks, looking up. He saw the look of anguish on his boss's face and forgot his own excitement in sympathy. He jumped to his feet, placed his arm about the shoulders of the older man and led him to a chair. Linane only scowled at the young man.

"I was delayed because I stopped by to see the wreck. My God, Mr. Muller, it is awful." Jenks drew his hand across his eye as if to erase the scene of the wrecked building. Then patting the older man affectionately on the back he said:

"Buck up. I'm on the job, as usual. I'll find out about it. It could not have been our fault. Why man, that building was as strong as Gibraltar itself!"

"You were the last to inspect it," accused Muller, with a break in his voice.

"Nobody knows that better than I, and I can swear by all that's square and honest that it was no fault of the material or the construction. It must have been"

"Must have been what?"

"I'll be damned if I know."

"That's like him," said Linane, who, while really kindly intentioned, had always rather enjoyed prodding the young engineer.

"Like me, like the devil," shouted Jenks, glaring at Linane. "I suppose you know all about it, you're so blamed wise."

"No, I don't know," admitted Linane. "But I do know that you don't like me to tell you anything. Nevertheless, I am going to tell you that you had better get busy and find out what caused it, or..."

"That's just what I'm doing," said Jenks, and he dived for his plans on the floor.

Newspaper reporters, many of them, were fighting outside to get in. Muller looked at Linane when a stenographer had announced the reporters for the tenth time.

"We had better let them in," he said, "it looks bad to crawl for cover."

"What are you going to tell them?" asked Linane.

"God only knows," said Muller.

"Let me handle them," said Jenks, looking up confidently.

The newspapermen had rushed the office. They came in like a wild wave. Questions flew like feathers at a cock-fight.

Muller held up his hand and there was something in his grief-stricken eyes that held the gentlemen of the press in silence. They had time to look around. They saw the handsome, dark-haired, brown-eyed Jenks poring over the plans. Dust from the carpet smudged his knees, and he had rubbed some of it over a sweating forehead, but he still looked the picture of self-confident efficiency.

"Gentlemen," said Muller slowly, "I can answer all your questions at once. Our firm is one of the oldest and staunchest in the trade. Our buildings stand as monuments to our integrity"

"All but one," said a young Irishman.

"You are right. All but one," confessed Muller. "But that one, believe me, has been visited by an act of God. Some form of earthquake or some unlooked for, uncontrolled, almost unbelievable catastrophe has happened. The Muller company stands back of its work to its last dollar. Gentlemen, you know as much as we do. Mr. Jenks there, whose reputation as an engineer is quite sturdy, I assure you, was the last to inspect the building. He passed upon it when it was finished. He is at your service."

Jenks arose, brushed some dust from his knees.

"You look like you'd been praying," bandied the Irishman.

"Maybe I have. Now let me talk. Don't broadside me with questions. I know what you want to know. Let me talk."

The newspapermen were silent.

"There has been talk of probing this disaster, naturally," began Jenks. "You all know, gentlemen, that we will aid any inquiry to our utmost. You want to know what we have to say about it�who is responsible. In a reasonable time I will have a statement to make that will be startling in the extreme. I am not sure of my ground now."

"How about the ground under the Colossus?" said the Irishman.

"Don't let's kid each other," pleaded Jenks. "Look at Mr. Muller: it is as if he had lost his whole family. We are good people. I am doing all I can. Mr. Linane, who had charge of the construction, is doing all he can. We believe we are blameless. If it is proven otherwise we will acknowledge our fault, assume financial responsibility, and take our medicine. Believe me, that building was perfection plus, like all our buildings. That covers the entire situation."

Hundreds of questions were parried and answered by the three engineers, and the reporters left convinced that if the Muller Construction Company was responsible, it was not through any fault of its own.

The fact that Jenks and Linane were not strong for each other, except to recognize each other's ability as engineers, was due to an incident of the past. This incident had caused a ripple of mirth in engineering circles when it happened, and the laugh was on the older man, Linane.

It was when radio was new. Linane, a structural engineer, had paid little attention to radio. Jenks was the kind of an engineer who dabbled in all sciences. He knew his radio.

When Jenks first came to work with a technical sheepskin and a few tons of brass, Linane accorded him only passing notice. Jenks craved the plaudits of the older man and his palship. Linane treated him as a son, but did not warm to his social advances.

"I'm as good an engineer as he is," mused Jenks, "and if he is going to high-hat me, I'll just put a swift one over on him and compel his notice."

The next day Jenks approached Linane in conference and said:

"I've got a curious bet on, Mr. Linane. I am betting sound can travel a mile quicker than it travels a quarter of a mile."

"What?" said Linane.

"I'm betting fifty that sound can travel a mile quicker than it can travel a quarter of a mile."

"Oh no�it can't," insisted Linane.

"Oh yes�it can!" decided Jenks.

"I'll take some of that fool money myself," said Linane.

"How much?" asked Jenks.

"As much as you want."

"All right�five hundred dollars."

"How you going to prove your contention?"

"By stop watches, and your men can hold the watches. We'll bet that a pistol shot can be heard two miles away quicker than it can be heard a quarter of a mile away."

"Sound travels about a fifth of a mile a second. The rate varies slightly according to temperature," explained Linane. "At the freezing point the rate is 1,090 feet per second and increases a little over one foot for every degree Fahrenheit."

"Hot or cold," breezed Jenks, "I am betting you five hundred dollars that sound can travel two miles quicker than a quarter-mile."

"You're on, you damned idiot!" shouted the completely exasperated Linane.

Jenks let Linane's friends hold the watches and his friend held the money. Jenks was to fire the shot.

Jenks fired the shot in front of a microphone on a football field. One of Linane's friends picked the sound up instantaneously on a three-tube radio set two miles away. The other watch holder was standing in the open a quarter of a mile away and his watch showed a second and a fraction.

All hands agreed that Jenks had won the bet fairly. Linane never exactly liked Jenks after that.

Then Jenks rather aggravated matters by a habit. Whenever Linane would make a very positive statement Jenks would look owl-eyed and say: "Mr. Linane, I'll have to sound you out about that." The heavy accent on the word "sound" nettled Linane somewhat.

Linane never completely forgave Jenks for putting over this "fast one." Socially they were always more or less at loggerheads, but neither let this feeling interfere with their work. They worked together faithfully enough and each recognized the ability of the other.

And so it was that Linane and Jenks, their heads together, worked all night in an attempt to find some cause that would tie responsibility for the disaster on mother nature.

They failed to find it and, sleepy-eyed, they were forced to admit failure, so far.

The newspapers, to whom Muller had said that he would not shirk any responsibility, began a hue and cry for the arrest of all parties in any way concerned with the direction of the building of the Colossus.

When the death list from the crash and subway wreck reached 97, the press waxed nasty and demanded the arrest of Muller, Linane and Jenks in no uncertain tones.

Half dead from lack of sleep, the three men were taken by the police to the district attorney's offices and, after a strenuous grilling, were formally placed under arrest on charges of criminal negligence. They put up a $50,000 bond in each case and were permitted to go and seek further to find the cause of what the newspapers now began calling the "Colossal Failure."

Several days were spent by Linane and Jenks in examining the wreckage which was being removed from Times Square, truckload after truckload, to a point outside the city. Here it was again sorted and examined and piled for future disposal.

So far as could be found every brick, stone and ounce of material used in the building was perfect. Attorneys, however, assured Linane, Jenks and Muller that they would have to find the real cause of the disaster if they were to escape possible long prison sentences.

Night after night Jenks courted sleep, but it would not come. He began to grow wan and haggard.

Jenks took to walking the streets at night, mile after mile, thinking, always thinking, and searching his mind for a solution of the mystery.

It was evening. He had walked past the scene of the Colossus crash several times. He found himself on a side street. He looked up and saw in electric lights:

TOWN HALL

Munsterbergen, the Mad Musician

Concert Here To-night.

He took five dollars from his pocket and bought a ticket. He entered with the crowd and was ushered to a seat. He looked neither to the right or left. His eyes were sunken, his face lined with worry.

Something within Jenks caused him to turn slightly. He was curiously aware of a beautiful girl who sat beside him. She had a mass of golden hair which seemed to defy control. It was wild, positively tempestuous. Her eyes were deep blue and her skin as white as fleecy clouds in spring. He was dimly conscious that those glorious eyes were troubled.

She glanced at him. She was aware that he was suffering. A great surge of sympathy welled in her heart. She could not explain the feeling.

A great red plush curtain parted in the center and drew in graceful folds to the edges of the proscenium. A small stage was revealed.

A tousle-headed man with glaring, beady black eyes, dressed in black evening clothes stepped forward and bowed. Under his arm was a violin. He brought the violin forward. His nose, like the beak of some great bird, bobbed up and down in acknowledgment of the plaudits which greeted him. His long nervous fingers began to caress the instrument and his lips began to move.

Jenks was aware that he was saying something, but was not at all interested. What he said was this:

"Maybe, yes, I couldn't talk so good English, but you could understood it, yes? Und now I tell you dot I never play the compositions of any man. I axtemporize exgloosively. I chust blay und blay, und maybe you should listen, yes? If I bleeze you I am chust happy."

Jenks' attention was drawn to him. He noted his wild appearance.

"He sure looks mad enough," mused Jenks.

The violinist flipped the fiddle up under his chin. He drew the bow over the strings and began a gentle melody that reminded one of rain drops falling on calm waters.

Jenks forgot his troubles. He forgot everything. He slumped in his seat and his eyes closed. The rain continued falling from the strings of the violin.

Suddenly the melody changed to a glad little lilting measure, as sweet as love itself. The sun was coming out again and the birds began to sing. There was the trill of a canary with the sun on its cage. There was the song of the thrush, the mocking-bird and the meadow lark. These blended finally into a melodious burst of chirping melody which seemed a chorus of the wild birds of the forest and glen. Then the lilting love measure again. It tore at the heart strings, and brought tears to one's eyes.

Unconsciously the girl next to Jenks leaned towards him. Involuntarily he leaned to meet her. Their shoulders touched. The cloud of her golden hair came to rest against his dark locks. Their hands found each other with gentle pressure. Both were lost to the world.

Abruptly the music changed. There was a succession of broken treble notes that sounded like the crackling of flames. Moans deep and melancholy followed. These grew more strident and prolonged, giving place to abject howls, suggesting the lamentations of the damned.

The hands of the boy and girl gripped tensely. They could not help shuddering.

The violin began to produce notes of a leering, jeering character, growing more horrible with each measure until they burst in a loud guffaw of maniacal laughter.

The whole performance was as if someone had taken a heaven and plunged it into a hell.

The musician bowed jerkily, and was gone.

There was no applause, only wild exclamations. Half the house was on its feet. The other half sat as if glued to chairs.

The boy and the girl were standing, their hands still gripping tensely.

"Come, let's get out of here," said Jenks. The girl took her wrap and Jenks helped her into it. Hand in hand they fled the place.

In the lobby their eyes met, and for the first time they realized they were strangers. Yet deep in their hearts was a feeling that their fates had been sealed.

"My goodness!" burst from the girl.

"It can't be helped now," said Jenks decisively.

"What can't be helped?" asked the girl, although she knew in her heart.

"Nothing can be helped," said Jenks. Then he added: "We should know each other by this time. We have been holding hands for an hour."

The girl's eyes flared. "You have no right to presume on that situation," she said.

Jenks could have kicked himself. "Forgive me," he said. "It was only that I just wanted so to know you. Won't you let me see you home?"

"You may," said the girl simply, and she led the way to her own car.

They drove north.

Their bodies seemed like magnets. They were again shoulder to shoulder, holding hands.

"Will you tell me your name?" pleaded Jenks.

"Surely," replied the girl. "I am Elaine Linane."

"What?" exploded Jenks. "Why, I work with a Linane, an engineer with the Muller Construction Company."

"He is my father," she said.

"Why, we are great friends," said the boy. "I am Jenks, his assistant�at least we work together."

"Yes, I have heard of you," said the girl. "It is strange, the way we met. My father admires your work, but I am afraid you are not great friends." The girl had forgotten her troubles. She chuckled. She had heard the way Jenks had "sounded" her father out.

Jenks was speechless. The girl continued:

"I don't know whether to like you or to hate you. My father is an old dear. You were cruel to him."

Jenks was abject. "I did not mean to be," he said. "He rather belittled me without realizing it. I had to make my stand. The difference in our years made him take me rather too lightly. I had to compel his notice, if I was to advance."

"Oh!" said the girl.

"I am sorry�so sorry."

"You might not have been altogether at fault," said the girl. "Father forgets at times that I have grown up. I resent being treated like a child, but he is the soul of goodness and fatherly care."

"I know that," said Jenks.

Every engineer knows his mathematics. It was this fact, coupled with what the world calls a "lucky break," that solved the Colossus mystery. Nobody can get around the fact that two and two make four.

Jenks had happened on accomplishment to advance in the engineering profession, and it was well for him that he had reached a crisis. He had never believed in luck or in hunches, so it was good for him to be brought face to face with the fact that sometimes the footsteps of man are guided. It made him begin to look into the engineering of the universe, to think more deeply, and to acknowledge a Higher Power.

With Linane he had butted into a stone wall. They were coming to know what real trouble meant. The fact that they were innocent did not make the steel bars of a cage any more attractive. Their troubles began to wrap about them with the clammy intimacy of a shroud. Then came the lucky break.

Next to his troubles, Jenks' favorite topic was the Mad Musician. He tried to learn all he could about this uncanny character at whose concert he had met the girl of his life. He learned two facts that made him perk up and think.

One was that the Mad Musician had had offices and a studio in the Colossus and was one of the first to move in. The other was that the Mad Musician took great delight in shattering glassware with notes of or vibrations from a violin. Nearly everyone knows that a glass tumbler can be shattered by the proper note sounded on a violin. The Mad Musician took delight in this trick. Jenks courted his acquaintance, and saw him shatter a row of glasses of different sizes by sounding different notes on his fiddle. The glasses crashed one after another like gelatine balls hit by the bullets of an expert rifleman.

Then Jenks, the engineer who knew his mathematics, put two and two together. It made four, of course.

"Listen, Linane," he said to his co-worker: "this fiddler is crazier than a flock of cuckoos. If he can crack crockery with violin sound vibrations, is it not possible, by carrying the vibrations to a much higher power, that he could crack a pile of stone, steel, brick and cement, like the Colossus?"

"Possible, but hardly probable. Still," Linane mused, "when you think about it, and put two and two together.... Let's go after him and see what he is doing now."

Both jumped for their coats and hats. As they fared forth, Jenks cinched his argument:

"If a madman takes delight in breaking glassware with a vibratory wave or vibration, how much more of a thrill would he get by crashing a mountain?"

"Wild, but unanswerable," said Linane.

Jenks had been calling on the Mad Musician at his country place. "He had a studio in the Colossus," he reminded Linane. "He must have re-opened somewhere else in town. I wonder where."

[256] "Musicians are great union men," said Linane. "Phone the union."

Teddy Jenks did, but the union gave the last known town address as the Colossus.

"He would remain in the same district around Times Square," reasoned Jenks. "Let's page out the big buildings and see if he is not preparing to crash another one."

"Fair enough," said Linane, who was too busy with the problem at hand to choose his words.

Together the engineers started a canvass of the big buildings in the theatrical district. After four or five had been searched without result they entered the 30-story Acme Theater building.

Here they learned that the Mad Musician had leased a four-room suite just a few days before. This suite was on the fifteenth floor, just half way up in the big structure.

They went to the manager of the building and frankly stated their suspicions. "We want to enter that suite when the tenant is not there," they explained, "and we want him forestalled from entering while we are examining the premises."

"Hadn't we better notify the police?" asked the building manager, who had broken out in a sweat when he heard the dire disaster which might be in store for the stately Acme building.

"Not yet," said Linane. "You see, we are not sure: we have just been putting two and two together."

"We'll get the building detective, anyway," insisted the manager.

"Let him come along, but do not let him know until we are sure. If we are right we will find a most unusual infernal machine," said Linane.

The three men entered the suite with a pass-key. The detective was left outside in the hall to halt anyone who might disturb the searchers. It was as Jenks had thought. In an inner room they found a diabolical machine�a single string stretched across two bridges, one of brass and one of wood. A big horsehair bow attached to a shaft operated by a motor was automatically sawing across the string. The note resulting was evidently higher than the range of the human ear, because no audible sound resulted. It was later estimated that the destructive note was several octaves higher than the highest note on a piano.

The entire machine was enclosed in a heavy wire-net cage, securely bolted to the floor. Neither the string or bow could be reached. It was evidently the Mad Musician's idea that the devilish contrivance should not be reached by hands other than his own.

How long the infernal machine had been operating no one knew, but the visitors were startled when the building suddenly began to sway perceptibly. Jenks jumped forward to stop the machine but could not find a switch.

"See if the machine plugs in anywhere in a wall socket!" he shouted to Linane, who promptly began examining the walls. Jenks shouted to the building manager to phone the police to clear the streets around the big building.

"Tell the police that the Acme Theater building may crash at any moment," he instructed.

The engineers were perfectly cool in face of the great peril, but the building manager lost his head completely and began to run around in circles muttering: "Oh, my God, save me!" and other words of supplication that blended into an incoherent babel.

Jenks rushed to the man, trying to still his wild hysteria.

The building continued to sway dangerously.

Jenks looked from a window. An enormous crowd was collecting, watching the big building swinging a foot out of plumb like a giant pendulum. The crowd was growing. Should the building fall the loss of life would be appalling. It was mid-morning. The interior of the building teemed with thousands of workers, for all floors above the third were offices.

Teddy Jenks turned suddenly. He heard the watchman in the hall scream in terror. Then he heard a body fall. He rushed to the door to see the Mad Musician standing over the prostrate form of the detective, a devilish grin on his distorted countenance.

The madman turned, saw Jenks, and started to run. Jenks took after him. Up the staircase the madman rushed toward the roof. Teddy followed him two floors and then rushed out to take the elevators. The building in its mad swaying had made it impossible for the lifts to be operated. Teddy realized this with a distraught gulp in his throat. He returned to the stairway and took up the pursuit of the madman.

The corridors were beginning to fill with screaming men and wailing girls. It was a sight never to be forgotten.

Laboriously Jenks climbed story after story without getting sight of the madman. Finally he reached the roof. It was waving like swells on a lake before a breeze. He caught sight of the Mad Musician standing on the street wall, thirty stories from the street, a leer on his devilish visage. He jumped for him.

The madman grasped him and lifted him up to the top of the wall as a cat might have lifted a mouse. Both men were breathing heavily as a result of their 15-story climb.

The madman tried to throw Teddy Jenks to the street below. Teddy clung to him. The two battled desperately as the building swayed.

The dense crowd in the street had caught sight of the two men fighting on the narrow coping, and the shout which rent the air reached the ears of Jenks.

The mind of the engineer was still working clearly, but a wild fear gripped his heart. His strength seemed to be leaving him. The madman pushed him back, bending his spine with brute strength. Teddy was forced to the narrow ledge that had given the two men footing. The fingers of the madman gripped his throat.

He was dimly conscious that the swaying of the building was slowing down. His reason told him that Linane had found the wall socket and had stopped the sawing of the devil's bow on the engine of hell.

He saw the madman draw a big knife. With his last remaining strength he reached out and grasped the wrist above the hand which held the weapon. In spite of all he could do he saw the madman inching the knife nearer and nearer his throat.

Grim death was peering into the bulging eyes of Teddy Jenks, when his engineering knowledge came to his rescue. He remembered the top stories of the Acme building were constructed with a step of ten feet in from the street line, for every story of construction above the 24th floor.

"If we fall," he reasoned, "we can only fall one story." Then he deliberately rolled his own body and the weight of the madman, who held him, over the edge of the coping. At the same time he twisted the madman's wrist so the point of the knife pointed to the madman's body.

There was a dim consciousness of a painful impact. Teddy had fallen underneath, but the force of the two bodies coming together had thrust the knife deep into the entrails of the Mad Musician.

Clouds which had been collecting in the sky began a splattering downpour. The storm grew in fury and lightning tore the heavens, while thunder boomed and crackled. The rain began falling in sheets.

This served to revive the unconscious Teddy. He painfully withdrew his body from under that of the madman. The falling rain, stained with the blood of the Mad Musician, trickled over the edge of the building.

Teddy dragged himself through a window and passed his hand over his forehead, which was aching miserably. He tried to get to his feet and fell back, only to try again. Several times he tried and then, his strength returning, he was able to walk.

He made his way to the studio where he had left Linane and found him there surrounded by police, reporters and others. The infernal machine had been rendered harmless, but was kept intact as evidence.

Catching sight of Teddy, Linane shouted with joy. "I stopped the damned thing," he chuckled, like a pleased schoolboy. Then, observing Teddy's exhausted condition he added:

"Why, you look like you have been to a funeral!"

"I have," said Teddy. "You'll find that crazy fiddler dead on the twenty-ninth story. Look out the window of the thirtieth story," he instructed the police, who had started to recover the body. "He stabbed himself. He is either dead or dying."

It proved that he was dead.

No engineering firm is responsible for the actions of a madman. So the Muller Construction Company was given a clean bill of health.

Jenks and Elaine Linane were with the girl's father in his study. They were asking for the paternal blessing.

Linane was pretending to be hard to convince.

"Now, my daughter," he said, "this young man takes $500 of my good money by sounding me out, as he calls it. Then he comes along and tries to take my daughter away from me. It is positively high-handed. It dates back to the football game"

"Daddy, dear, don't be like that!" said Elaine, who was on the arm of his chair with her own arms around him.

"I tell you, Elaine, this dates back to the fall of 1927."

"It dates back to the fall of Eve," said Elaine. "When a girl finds her man, no power can keep him from her. If you won't give me to Teddy Jenks, I'll elope with him."

"Well, all right then. Kiss me," said Linane as he turned towards his radio set.

"One and one makes one," said Teddy Jenks.

Every engineer knows his mathematics.

Anthony Pelcher 1897 - 1981